Wednesday, October 24, 2007

We're the best!

In this week's New York Press (links are mine):

Stolen Chair Theatre Company

Every creative artist thinks their ├╝ber-wacky parody of noir is one for the ages. Not Off-Off-Broadway’s Stolen Chair Theatre Company, which gave such pretentiousness the bird when it premiered Kill Me Like You Mean It earlier this year, the second installment in its “CineTheatre tetralogy.” Their trick is the opposite of being derivative: They smash genres in a theatrical supercollider and see what happens, such as noir being fused with the idiocy of Ionesco in Kill Me. Stage Kiss, meanwhile, fused Charles Ludlam’s theatre of the ridiculous with Elizabethan blank verse; The Man Who Laughs was a silent film for the stage. Stolen Chair’s latest, Kinderspiel (subtitle: “all art is useless”), currently at the Kraine [CORRECTION: Under St. Marks], is yet another genre-bender: a drop of Weimar cabaret in political drama.

Thanks, New York Press!

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