Cheating on Stolen Chair's blog

As part of the $20k award Stolen Chair received from The Field's Economic Revitalization for Performing Artists grant, I will be occassionally blogging over on their site, chronicling the rise (and hopefully not the fall!) of the country's first Community Supported Theatre (CST).

Here's my latest post: "What a year of market research didn't teach me"

Enjoy!

(And stay tuned there and here and on Twitter for up-to-the-minute developments on the CST and Quantum Poetics.)

A letter from me. To you.

Dear friends of Stolen Chair,

You've been getting quite a few publicity blasts from us lately, but I wanted to take a moment to share some thoughts with you sans flashy graphics and HTML code. (Before I begin, though, I do want to remind you that you only have a few days left to register for our Community Supported Theatre before the Nov 22 launch event.)

Along with the rest of the core company and six incredible collaborators, I've just returned from Stolen Chair's 13th creative retreat where we noodled around with ideas for our 13th original work, QUANTUM POETICS: A SCIENCE EXPERIMENT FOR THE STAGE. For three days we worked together, lived together, and cooked together as we explored a slew of exciting theories from neuroscience and quantum physics. It might sound like serious business, but if you saw our quantum-inspired "Three Little Pigs," you be as tickled as I was.

And, for the first time in Stolen Chair's history, we'd like to invite you to be a part of these experiments. Stolen Chair has just launched the country's first Community Supported Theatre (CST), an innovative new way of connecting theatregoers with theatremakers, and we're now accepting members. On Nov 22, charter members of our CST will kickoff their season with an exclusive live showing of some of the most exciting (and most ridiculous) highlights from our creative retreat. For the eight months after that, CST members will watch each step of the project's development up until its premiere next summer, seeing first-hand how an idea becomes a play. Our members will not only have the opportunity to discuss the work with us at open rehearsals and work-in-progress presentations, but to learn alongside Stolen Chair as we invite some of the country's hottest science writers to come speak to us. (Members will also build exploding volcanos with us at our members-only science fair and dance the night away at our "Atoms and Eves" themed Valentine's Day Party!)

As the director of QUANTUM POETICS, I could not possibly be more exhilarated by the possibility that this work will be developed through collaboration with a circle so much wider than the artists in our creative team. As co-artistic director of Stolen Chair, I am proud that our organization is the first in the country to offer this depth of engagement to our audience. As someone who has faith in theatre's power to bring people together, to challenge our perspectives, and to delight us, I feel so lucky that I'll have the chance to participate in this novel experiment in building a real community comprised of engaged art-makers and art-lovers.

Hope you'll join us! Remember, the party starts Nov 22nd.

To read more and sign up, please visit: http://communitysupportedtheatre.org

If you have any further questions, please email cst[at]stolenchair.org for more info.

Best,

Jon Stancato

Flux considers Community Supported Theatre

Great post over on Gus' Flux Theatre Ensemble blog and a very interesting discussion ensues. Basically, Gus works to problematize some of Isaac Butler's recent statements over at Parabasis about why theatre shouldn't be "supported" in the context of our new social business model which boldly puts "support" right in the middle of its name. Turns out (as is so often the case), "everything is everything" and the debate is actually just dialogue, but it is an important one that all cultural organizations should probably be having both internally and with their "supporters."

Oh, and http://communitysupportedtheatre.org is now live, though the content will change a lot over the next week.

Oh, and we're compiling a FAQ to eventually live (how's that split feel, Mr. Infinitive?) on that page so if, as Radioshack says, "You've got questions; we've got answers." Free bottle of wine (you arrange NYC pickup) goes to the best suggestion for our FAQ!

Huge, massive, earth-shatteringly good Stolen Chair news

I apologize for the unfathomably long blog silence but we've been very very busy with this...

After 9 months of research and development funded by an innovation grant from The Field's Economic Revitalization for Performing Arts (ERPA), Stolen Chair has been awarded a $20,000 implementation grant from ERPA to adapt the business model of Community Supported Agriculture (CSA) to the theatre.

So...IT'S ALL HAPPENING, FOLKS! We're gonna create the country's first Community Supported Theatre (CST), a development playground/research lab/community of audience-investors who will trace our newest project, Quantum Poetics (A science experiment for the stage), from its first creative retreat to its first public work-in-progress presentation.

You can read about the grant and our plans here and listen to my presentation (at the WNYC Green Space!).

Please tweet this, blog this, facebook this, talk about this at water coolers, and mention it loudly on subways: people interested in becoming charter members of our pilot Community Supported Theatre should visit http://communitysupportedtheatre.com to find out more and drop a line of interest to cst[at]stolenchair.org. We're especially looking for a small group of booster members who will receive highly discounted or free memberships in return for help recruiting other members.

Support indie theatre's fairy godparents!

I can't say enough about the incomparable Martin and Rochelle Denton, without whose support and encouragement, Stolen Chair (and scores of other indie companies) would not likely be here today.

The Dentons need your help, in much the same way Stolen Chair needed your help a month ago. It's another one of those popularity contest grants; given how many people Martin has published and reviewed, and given how many people depend upon NYtheatre.com as their go-to site for intelligent and thoughtful theatre criticsm, Martin and Rochelle should have no trouble sweeping the proceedings...that is, of course, if YOU vote!!!

Here's the details, straight from the man himself:

Today I write to ask for about 10 minutes of your time to help nytheatre.com and The New York Theatre Experience, Inc., win a grant from Microsoft.

We have entered the "Show Your Impact" Contest, which is sponsored by TechSoup and Microsoft Corporation. The winners of this contest -- there will be three -- will each receive a $5,000 cash grant from Microsoft plus $25,000 in donated software. For a technology-based small nonprofit company like ours, this is a fantastic opportunity! And we believe we have a shot at winning.

To enter the contest, we had to write a "story" about the impact that Microsoft software, which we received via their donation program with TechSoup, has had on our organization and on the community of theatre-goers and theatre-makers we serve.

We now need to get our friends and supporters to go online to the "Show Your Impact" contest website and vote for our submission. So this is where you come in: please follow the link below, register, and vote for nytheatre.com:

http://www.showyourimpact.org/microsoft/gallery

The public voting process ends on Friday, June 5, and then the top vote getters in each category will move on to the finals, to be judged by Microsoft and TechSoup.

Anyone can vote. It will take you a few minutes: the contest rules require that you register (all they ask for is an email address) and also that you vote for a minimum of 3 projects (so you can't just vote for us--you have to pick a couple of other projects in order for your vote to be counted). It's kind of complicated and I'm sorry about that--but if you'll bear with the process and vote, we will be very appreciative!

Our submission is called nytheatre.com. Our submission date is 5/20/2009. Our category is "Optimize Mission Delivery." There can only be one winner per category, so you'll maximize our chance to win by not selecting any other entries in that category.

Please pass this information along to anyone you think would like to help us! Your support is enormously appreciated.

And please take a few moments to read our submission entry, which details some of the work we've done over the past several years to prepare nytheatre.com and our other websites for Web 2.0 and beyond. Your comments and thoughts are welcome!

But the bottom line, once again: please vote for our submission to help us win this grant from Microsoft. Click here:

http://www.showyourimpact.org/nytheatrecom

Read our story, register, and vote for us. Thank you!

Email me if you have questions. Learn more about TechSoup, the great nonprofit organization that has put together this contest, here.

Best,

Martin

The speech that got booed

So I was one of the five artists on the "cultural entrepreneurs" on the panel at Wednesday's New Economy Smackdown, hosted by The Field & Galapagos. The unedited audio of the entire event is already online. You can read Claudia La Rocco's take on the event here and Morgan von Prelle Pecelli's own panel statement here. Below, however, is the speech I made, a speech which received the event's first boos. The offending statement is in bold and I stand by the remarks even more after hearing how many hackles it raised.

Jennifer asked all to create a soapbox manifesto reflecting on how the current arts economy is affecting us and our work. I struggled to get any thoughts out, because the more I thought about it, the more I realized none of us in this room should be here talking about the arts economy. There is no such thing as an arts economy since non-commercial arts by their very definition don't follow market logic and can't compete in the market place without dependence on non-profit support structures and the government . So we can embrace our role in the margins of the economy and struggle the way that performing artists have struggled since theatre and religion parted ways, or we can model ourselves on the only other two positions left to us in a market-driven economy: as charity (quite like an endangered species) or as community resource (like a neighborhood garden). Well, if we're a charity we should follow the model of other charities: humpback whales don't send out end-of-year asks or write grant applications, so we shouldn't either. We should depend entirely on the goodwill of people who don't want to imagine a world without theatre and therefore raise awareness, funds, and support to ensure we continue to exist. But, I don't want to be a charity, in large part because I don't think our social cause has enough merit to compete with other charities who actually change lives on a grand scale. So, the only round hole we can force our square peg of a "business model" into is as community resource. In this interconnected, digital age, if our art can serve as a meeting place for communities of like-minded individuals to connect, celebrate, and be challenged, then we might find a way of restoring theatre's primacy in people's lives and creating sustainable theatre-making organisms (not organizations).

But, since we are, however, here to debate the "arts economy," I'll add:

Why is there now, why has there been, and why will there always be prime, beautiful, ready to theatricalized real estate sitting vacant for extended periods in all 5 boroughs? If someone can work out insurance, tax deductions, box-office splits, zoning laws, etc so that businesses have a reason to open their doors to artists then we can do what we do best, drive in droves of foot traffic, people with expendable cash some of whom may be looking to rent a new office or storefront. 80% of Stolen Chair's operating budget goes towards space rental. Knock out that cost and we can pay our artists not only living wages, but competitive ones.

As producer of a company made up of people whose survival jobs are freelance and often paid hourly, I am sick of arranging (or trying to arrange) quid-pro-quo deals that will help Stolen Chair the organization save money at the expense of the individuals who are Stolen Chair. In most cases, we'd be better off adding an extra-hour to our work-weeks and donating that money to the company.

We need the next generation of gatekeepers or, in the very least, our current crop needs to start communicating with each other and rethink what it means to support "emerging" art. The supply of indie theatre in New York will always outstrip the demand, but by presenting, critiquing, and funding the same two dozen artists, our gatekeepers stifle innovation and creative movements the same way corporate monopolies do.

So. Yeah. Boos. (And then some cheers in response to the boos.).

I obviously wouldn't work eleventy-billion "survival" jobs and put trillions of hours into each Stolen Chair show if I didn't believe in the fundamental power of art to transform lives and feel strongly that the choice to wake up and dedicate ones' life to art is nothing short of radical and revolutionary. That said (and perhaps this is due to Stolen Chair's recent experience as a Jenzabar Foundation finalist alongside far more vital social missions), I think that if art tries to compete with "real" charities toe-to-toe, we will not only lose, but feel terrible for entering the fray. So let's pull ourselvs out of this terrain entirely, rediscover art's special place, and develop compelling and innovative ways for people to use the power of their pursestrings to ensure that we continue to exist.

It's out of our hands now

Thanks to all who helped edge Stolen Chair's social media proposal into the final round of the Jenzabar Foundation's Social Media Leadership competition. Here's their official announcement:

The Foundation would like to reiterate how impressed we were with all of the submissions from the 15 organizations that nominated their campaigns. The following FIVE organizations received the most votes, and thus, are the finalists for The Jenzabar Foundation Soical Media Leadership Award:

-The Stolen Chair Theatre Company

-Dream Activist

-Texas Friends and Allies Against the Death Penalty

-Forge

-The National Coalition to Abolish the Death Penalty

The winner will be selected from this pool of campaigns and will be announced by the Foundation on Wednesday, May 13th.