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Economic Revitalization for Performing Artists (ERPA)If it's broke, fix it!ERPA grows from the premise that the traditional non-profit model of fundraising does not support the majority of performing artists in New York City. This lack of financial solvency leads to early departures from New York, early departures from art-making, and ultimately, a diminishment of New York’s vibrancy and vitality. ERPA aims to combat these challenges by asking artists to conceive dynamic solutions for financial stability, and giving them the tools, resources, and cash to help develop their ideas. As its name implies, ERPA aims to thus revitalize performing artists’ and arts organizations’ economic lives for long-term impact.In 2008 more than 350 community stakeholders joined us for community dialogues (aka Invention Sessions) across New York City. Moving into 2009, The Field invests in seven artists who brought forth innovative ideas to generate new revenue streams from their art for their art...Congratulations to Kahlil Almustafa, Nick Brooke, Rachel Chavkin, Connie Hall, JoAnna Mendl Shaw, Jon Stancato, and Caroline Woolard.These seven artists will be paid $5,000 to research and develop their projects under the auspices of the ERPA entrepreneurial lab. In the fall of 2009 their ideas-in-progress will be presented and publicly adjudicated to receive up to $25,000 in additional project implementation funds.More than 100 ERPA applications were received and adjudicated by a panel of veteran arts and business leaders, including: June Choi, Shawn Cowls, Corey Dargel, Trajel Harrel, Jaki Levy, Kristin Marting, and Heather Rees. ERPA projects were selected based on their potential vision, impact, relevance, and viability.
And here's my proposal:
Jon Stancato/Stolen Chair proposes a way to adapt the business plan followed by most Community Supported Agricultures (CSA). Like the CSA model, Stolen Chair hopes to build a membership community which would provide ‘seed’ money for the company’s development process and then reap a year’s worth of theatrical harvests.
You can read about the other thrilling proposals on the ERPA website. We have an exciting 9 months ahead of us. Please contact me if you'd like to hear more about the proposal or jump on board and help make this crazy idea a reality. And...um...watch this space for further updates as plans begin to take shape.
The Chairs and I have been so busy trying to make this play that there hasn't been much time to write about the play, but I couldn't resist posting this link sent in by Kiran's father. Apparently, the RSC was bequeathed an actual skull to use in their production of